Sandra Ritovska, Monroe Price: Images and human rights -- Part I: Technologies; Ra'anan Alexandrowicz: 50 years of documentation: a brief history of the audiovisual documentation of the Israeli occupation -- Austin Choi-Fitzpatrick: Drones, camera innovations and conceptions of human rights -- Christoph Koettl: A convergence of visuals: geospatial and open source analysis in human rights documentation -- James R. Walker: The rise of GEOINT: technology, intelligence and human rights -- Rebecca Wexler: Technology's continuum: body cameras, data collection and constitutional searchers. Part II: Platforms; Christian Delage: Simon Srebnik: narratives of a Holocaust survivor -- Csaba Szilagyi: Re-archiving mass atrocity records by involving affected communities in postwar Bosnia and Herzegovina -- Nenad Golcevski: Communicating justice in film: the limitations of an unlimited field -- Gabriela Martínez: Photography as a platform for transitional justice: Peru's case -- Sharon Sliwinski: Sexual violence in the field of vision -- Albie Sachs: Art and human rights in the Constitutional Court of South Africa -- Part III: Agents; Claudia Martinez Mansell: A change of perspective: aerial photography and "the right to the city" in a Palestinian refugee camp -- Alice Baroni: Contested visualities: courage and fear in the portrayal of Rio de Janeiro's favelas -- Sam Gregory: Ubiquitous writing in human rights activism -- Mary Angela Bock: Answering the smartphones: citizen witness activism and police public relations -- Claire Wardle: How newsrooms use eyewitness media -- Part IV: Afterword. Sandra Ristowska: Imaginative thinking and human rights.